Janise: Niki de Saint Phalle "Sun God" and countered Jackson Pollock's drip paintings (and other abstraction expression artists) by shooting canvas/objects with paint
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The artist I chose to present today was Robert Irwin because of his sculpture: "Two Running Violet V Forms." I chose this artist and sculpture because of its random presence within the Muir forest, and the stories that it has sparked throughout campus. I like the idea of making something that doesn't seem to belong, and yet, it does. People have said that the fences were meant for catching giraffes, but it's actually meant to capture light and amplify the changes in nature. I was also interested in Terry Allen's "singing/talking/silent trees," because of what stories they've sparked. People on campus talk about how at night we can hear the trees sing and talk because the forest might be haunted or enchanted, but it's actually because of Terry Allen's trees. From these two artists, I want to create something out of the norm and set it within the forest or within the canyons and perhaps my sculpture will go unnoticed, or perhaps my sculpture will be noticed and stories will begin to form. -April Shen-----
Deanne: Tara Donovan
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My artist is Roman de Salvo, someone who is very familiar in public art in San Diego. I don't remember quite how I stumbled upon it, but I chose to focus on his work "Crab Carillon", located on the 25th street bridge in San Diego. As with most of de Salvo's work, "Crab Carillon" makes light of the every day objects, and changes or upgrades them in a delightful way. The bridge's fence separating the road and the sidewalk is actually a series of chimes, which when struck accordingly, create a tune! The tune was written by Joseph Waters specifically for the work, and is a palindrome! The same tune is played forward and backwards along the fence. This dimension in the work really stuck out to me, as de Salvo intriguingly makes the work more complex in construction, but more simple when interacting with the work (similar to "Legway"). "crab Carillon" also holds a special place in my heart because its a childish gesture; running alongside a fence dragging a stick along the surface of the fence. Placing this work on a freeway walkway overpass awakens the space with a juvenile virtue. And how simply awesome is it that you can run back and forth, back and forth with the same tune playing each way! This work also stuck out to me because I've become increasingly more interested by the use of sound as an art medium, and possibly other senses.
- Rachelle
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Minsi - Kimsooja
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